Music is a complex subject. How can we understand it fully without studying it professionally? I’m talking about classical music, of course, or as they call it in Latin-American countries, “serious music”. Of course, the more you know, the easier it will be for you to relate to this type of music, particularly to the contemporary brand of it; however, I think that we can communicate better about it and thus achieve a better understanding if we relate to music though the use of dichotomies. I mentioned this in my last blog post, almost a year ago, but I didn’t get to develop the concept. I intend to do so now. Paragraph by paragraph I will endeavor to post regularly until the basic terms and parameters are defined and then I intend to talk about the music of our times.
The Latest News
It is now the Spring of 2026. There are some very exciting things happening. Last Tuesday, April 7, I delivered a lecture at Cal-poly Pomona about my work The Immigrants, a work I composed based on 25 interviews I conducted in Minneapolis to Mexican immigrants. The music and the lecture were very well received. I will be in Baltimore for the ACB (American Concert Band) conference from the 16 until the 19. My work Echoes of Mexico for Symphonic Band will be performed. And then, the following week, my piece Mamita for mariachi and symphonic band will be performed in Alabama. I will have pictures and videos in a few weeks of these events. I am also issuing videos based on my piano pieces Moods and The Media. I released the first one, called Despair 2 weeks ago and I will continue releasing the videos through Instagram, facebook, and my YouTube channel YouTube.com/c/Sergio Barer. I would love to hear what you think of them.
