Concert music inspired by ideas, identities, memory, and human experience.

On having a podcast

Well, this is a continuation of my previous post in March of last year. I had been consumed with the problem of how to get my music to reach more people and suddenly I was struck by the realization that it is not all about me. As a composer of classical music, I form...

Marketing versus Composing

One of the basic problems that a composer has these days is the necessity to market themselves to get more work while continuing to compose. Marketing and composing are two diametrically opposed activities. Composing requires total immersion in what you are doing and...

Why Classical Music?

One question I have had to answer a few times is why did I chose to compose classical music as  opposed to popular music or jazz. I remember an answer I gave on a TV interview some years ago about the difference between popular music and classical. You may not agree...

What is a “through-composed” song?

I decided to write about this subject because I am writing choral music and most of my works are through-composed. So what does that mean? It basically means that you start setting a text to music and you write original music until you reach the end of the text...

About simplicity in music

I am currently writing a choral piece called The Immigrants that is going to be performed in Minneapolis by several choirs in different concerts: A professional choir, a community choir and a high school choir. One of the most difficults aspects of writing this work...

How do I define my music?

I define my music, for music fans, as normal music with more dissonance than usual. The added dissonance adds interest to the piece and is used to emphasize emotional moments as well as to serve as a greater contrast to beautiful segments. In Moses, an Oratorio, for...

About Writing Contemporary Music

With the premiere of my String Quartet, I realized that writing New Music keeps being a big priority for me. It is a great challenge to write music that is accesible, yet fresh, which is what I want to do. I just finished writing a 5 minute work for a group...

Static-motion

In the XXI century, by breaking the conventions and the traditional relations of sounds as used in the XVIII and XIX centuries, sometimes the music seems to go nowhere. There are changes in the music but one is expecting the music to go somewhere in a certain way and...

Intellect-Emotion

This is another dichotomy that is in evidence in the XXI century.  While music during the Romantic era tried to appeal to our emotions and to make us feel our humanity, music became more interested in appealing to the intellect in the XX century. Schoenberg and his...

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